Hire Olympus M.ZUIKO DIGITAL ED 7-14mm 1:2.8 PRO

Our thoughts

'Micro Four Thirds users who’d like to shoot with an angle of view that’s equivalent to 14-28mm will fall in love with this lens. Similar in size to the M.Zuiko ED 12-40mm f/2.8 PRO, it’s as petite as fast wide-angle zooms come. Its smooth zoom and focus rings offer precise adjustment and it bestows a reassuringly solid barrel with a customisable L-Fn button. A bulbous front element and fixed lens hood prevents the use of screw-in filters, however third-party adapters are available. Best results are achieved at the 14mm end, with corner sharpness at wide-angle being fairly soft. All things considered, it’s a fine example of a wide-angle zoom that lets you travel light.'  

The details

The M.ZUIKO DIGITAL ED 7–14mm 1:2.8 PRO's compact, lightweight design is ideal for photo assignments anywhere in the world. What's more, this lens works with the OM‑D's built‑in IS for sharp, handheld nightscape shots. Whatever the scene, you have excellent edge‑to‑edge depictive power thanks to the special lens architecture and ZERO coating for reduced ghosting and flaring.

Wide-angle miracle

Looking for a lens that delivers unsurpassed image quality regardless of the photographic situation? Look no further! The M.ZUIKO DIGITAL ED 7‑14mm 1:2.8 PRO lens easily covers unlimited distance as well as city or architecture scenes. Indoor shots with limited space are also no problem. This lens is the absolute fit for extremes.

Impressive optical performance

The lens architecture of the M.ZUIKO DIGITAL ED 7–14mm 1:2.8 PRO, with 14 individual lens elements in 11 groups, works in complete harmony to dramatically reduce aberrations and ghosting. The result is edge-to-edge sharpness – outperforming the competition with better optical performance.

Sharp images fast

When combined with the OM-D's in-body 5-axis image stabilisation, the fast aperature of 1:2.8 is ideal for handheld wide-angle nightscape photography. It lets you take creative, atmospheric and pin-sharp shots in the most demanding of lighting conditions – allowing you to travel light without a tripod.